How a Photographer Sees

 How a Photographer Sees

Most people drive down the road looking at what’s in front of them.

A photographer sees something else.

We see possibilities.

This photograph is a perfect example. I was simply driving down the road when something caught my eye. The scene was there for only a moment—the water, the cranes, the New York skyline in the distance. To most people, it might have been just another industrial waterfront.

But a photographer doesn’t always see the entire picture at once. We see pieces of it. A shape. A line. A splash of color. The way the light falls. Something that makes us think, Wait… there might be a photograph here.

So you stop.

You look again.

Maybe you move a little. Then a little more. You change your angle, look through the trees, wait for something to happen, and begin putting the pieces together in your mind. The first frame may be good. The next one may be better. And then suddenly, everything comes together.

In this case, it was the World Trade Center rising above the water and construction cranes, with the American flag hanging from the crane in the foreground. That small detail changed the entire photograph.

It wasn’t just a picture of New York anymore.

It became a photograph with a story.

The cranes represent the working waterfront and the constant rebuilding of the city. The skyline represents New York—always moving, always changing. And that flag, hanging high above it all, adds something that can’t really be measured in pixels. It gives the photograph emotion, history and meaning.

And that’s one of the things I love about photography.

The photograph isn’t always where you expect to find it.

Sometimes it’s in a planned sunrise at a beautiful location. Sometimes it’s waiting at an air show or standing on a beach with a telephoto lens.

And sometimes you’re simply driving down the road.

You just have to be looking.

That’s how a photographer sees. 

 Almost Total — The August 2026 Lunar Eclipse Over Long Island

Late on the night of August 27 and into the early morning hours of August 28, skywatchers across Long Island were treated to a dramatic lunar eclipse as the Full Moon slipped deep into the shadow of the Earth.

A lunar eclipse occurs when the Sun, Earth and Moon line up closely enough for the Moon to pass through Earth’s shadow. Unlike a solar eclipse, which can only be seen along a relatively narrow path on Earth, a lunar eclipse can be viewed from anywhere on the nighttime side of the planet where the Moon is above the horizon.

This particular eclipse was a deep partial lunar eclipse — not a total eclipse. At maximum eclipse, which occurred at approximately 12:13 a.m. EDT on August 28, about 96.3% of the Moon’s visible disk was inside Earth’s dark central shadow, or umbra. Only a thin portion of the Moon remained outside the umbra, producing the brilliant crescent visible along the upper edge in the photograph.

Although it fell just short of totality, much of the eclipsed Moon took on the familiar deep orange and reddish color associated with a “Blood Moon.” That color is created by sunlight passing through Earth’s atmosphere. Our atmosphere scatters much of the shorter blue wavelengths while allowing more of the red and orange wavelengths to pass through and bend toward the Moon. In a sense, the reddish light illuminating the eclipsed Moon is the combined glow of sunrises and sunsets around the edge of the Earth.

How Often Do Lunar Eclipses Occur?

Lunar eclipses aren't exceptionally rare. Eclipse seasons occur roughly twice each year, and NASA's calculations show that there is always at least one — and sometimes two — lunar eclipses during a roughly 345-day period. But they aren't all alike. Some are subtle penumbral eclipses, some are partial eclipses, and others become spectacular total lunar eclipses.

And not every lunar eclipse is visible from Long Island. Visibility depends upon which side of Earth is facing the Moon when the eclipse occurs. In fact, 2026 provided a good example: the March 3 eclipse was total globally, while the August 28 event was a partial eclipse.

For those of us watching from Long Island, the August eclipse was tantalizingly close. Unfortunately cloudy skies limited many of us to only catch quick glimpses as the moon moved through the clouds, but for this writer the timing couldn’t have been better as depicted in the photo above when the Earth's shadow swallowed nearly the entire lunar disk, leaving behind only that narrow, intensely bright rim.

Not quite a total lunar eclipse — but perhaps all the more visually interesting because of it.

Photo and editorial: Fred Greco / Island Photo News

 SpaceX Over Long Island — A Falcon 9 Morning

Long Islanders willing to get up before dawn were treated to an unusual sight this morning as a SpaceX Falcon 9 carrying another group of Starlink satellites climbed into orbit, becoming visible along the East Coast shortly after its launch from Florida.

I photographed the rocket as it passed near Fire Island, its exhaust plume illuminated high above the Earth while the landscape below was still in the darkness of early morning.

The sight has become increasingly familiar, but the technology behind it represents a remarkable change in spaceflight.

SpaceX's Falcon 9 first flew in 2010 and was designed around an idea that once seemed almost impossible — instead of throwing away a rocket after every launch, bring major portions of it back and fly them again. In December 2015, SpaceX successfully landed a Falcon 9 first-stage booster after an orbital mission, and in 2017 it successfully flew a previously used orbital-class booster for the first time.

Today, the Falcon 9's first stage — the large booster containing its nine Merlin engines — routinely separates from the second stage and returns to Earth. Depending upon the mission, it can land either near the launch site or on an autonomous drone ship stationed hundreds of miles offshore. SpaceX also recovers and reuses portions of the rocket's payload fairing, the protective shell surrounding the satellites during launch.

That reusability has helped make possible the extraordinary launch rate needed to build Starlink, SpaceX's network of thousands of satellites in low-Earth orbit designed to provide high-speed, low-latency Internet service. The first Starlink satellites were launched in 2019, and within just a few years the system had grown into the world's largest low-Earth-orbit satellite constellation.

So while what appeared over Fire Island this morning lasted only a few minutes, it was part of something much larger — a transformation in spaceflight in which launching a rocket, recovering much of it and preparing it to fly again is increasingly becoming routine.

And for a photographer standing beneath that flight path before sunrise, it made for one heck of a morning.

                                                    Story and Photo by Fred Greco

The Thunderbirds headline the New York Air Show in Montgomery, NY

The New York Air Show returned to Orange County Airport in Montgomery, NY this past weekend, drawing aviation enthusiasts for two days of aerial demonstrations highlighted by the U.S. Air Force Thunderbirds and several talented civilian performers.

While the lineup was smaller than many had hoped, the pilots who took to the skies delivered exciting performances and gave spectators plenty to enjoy. For me, it was another opportunity to practice both still photography and videography while capturing some memorable moments from the weekend.

I hope you enjoy this short video highlight highlighting the Thunderbirds from the show!

📸🎥 Fred Greco
Island Photo News

 

 

Island Photo Group Captures the July Buck Moon

Photo: Fred Greco

For more than twenty years, the Island Photo Group has been bringing Long Island photographers together to learn, share ideas, and capture some of the region's most spectacular sights.

Founded in 2003, more than two decades later, several of the original founding members still remain active in the club — a testament to the friendships and dedication that have helped the organization thrive. 

Today, the Island Photo Group consists of approximately 45 members who meet on the second and fourth Monday of each month 7:30 p.m. at the Community Center in Ellsworth W. Allen Park, 45 Motor Avenue in Farmingdale. Whether you're just learning the basics or have years of photographic experience, visitors are always welcome to attend a meeting and discover what the club has to offer. Annual dues are just $40, providing members with educational workshops, guest presentations, field workshops,  image critiques, and the opportunity to learn from fellow photographers throughout the year.

That spirit of learning and camaraderie was on full display during the evenings of July 30 and 31, when club members gathered at Captree State Park to photograph the July Buck Moon rising over the Fire Island Lighthouse—one of Long Island's most iconic photographic alignments.

 

Photo: Fred Greco                                               Photo: Jim Rapp            

The outing was organized and the moonrise alignment plotted by Membership Chairman Fred Greco using specialized astronomical planning software. Although rain and heavy cloud-cover blanketed much of Long Island throughout July 30, conditions began to improve just thirty minutes before moonrise. Members, along with several local photographers, remained optimistic, and their patience was rewarded as the skies gradually cleared, revealing a beautiful moonrise over the historic lighthouse.

Encouraged by the success of the first evening, many members and other local photographers returned the following night for what photographers like to call "another go at it." With even clearer skies on July 31, participants enjoyed a second opportunity to capture the dramatic scene while exchanging ideas, techniques, and plenty of stories along the beach.                                                                 

     

Photo: Nick Masselle                                                     Photo: Russ Popeil

While memorable photographs were certainly the goal, the evenings served as a reminder that photography clubs are about much more than cameras. They are about sharing knowledge, encouraging one another, and building friendships through a common passion.

Anyone interested in improving their photography is invited to attend a meeting and see firsthand why the Island Photo Group has remained a Long Island favorite for more than twenty years. 

"Twenty-three years after its founding, the Island Photo Group continues to prove that photography is more than creating beautiful images. It's about learning, sharing experiences, and forming friendships that last a lifetime. As the moon rose over Fire Island Lighthouse on two memorable summer evenings, so too did another chapter in the club's history."

By Fred Greco — Editor / Photojournalist  ––  Island Photo News 

 Coming Soon !

There's something special about receiving a handwritten card.

In today's world of text messages and emails, a thoughtfully chosen greeting card still has the power to brighten someone's day, celebrate life's milestones, and remind people they are loved.

That's the inspiration behind Oodles of Doodles NY, a new collection of hand-painted watercolor greeting cards created by local artist Paula Greco. Each design begins as an original watercolor painting, capturing the joy, warmth, and whimsy that only handmade artwork can provide. From birthdays and thank-you notes to everyday moments that deserve a smile, every card is created with one goal in mind—painting smiles... one card at a time.

In the weeks ahead, we'll be sharing a growing collection of Paula's unique designs, along with gift ideas, classroom collections for teachers, seasonal favorites, and a behind-the-scenes look at the creative process. So stay tuned! 

Whether you're searching for the perfect card or simply appreciate beautiful watercolor art, we invite you to follow along as Oodles of Doodles NY prepares to open its doors.

Because sometimes, the smallest gesture can leave the biggest smile.

                Grupo Sabrosura Brings the Sounds of Latin America to Tanner Park

There are some performances where people politely tap their feet, and then there are performances that fill a dance floor with smiling faces of every age. That was certainly the case Saturday night at Tanner Park in Copiague, where Grupo Sabrosura treated the crowd to an evening of energetic Latin music that had couples dancing and enjoying a beautiful summer evening along the waterfront.

                    

Leading the group are José "Juicy" Jusino and Carlos Tello, two accomplished musicians who have helped make Grupo Sabrosura a favorite at festivals, community celebrations, private events, and cultural gatherings throughout the area.

Although internationally recognized as an accomplished percussionist, Jusino is much more than the band's rhythmic heartbeat. He also shares lead vocal duties, bringing an infectious energy that quickly draws audiences into the performance. Music has been part of his life since childhood, and his remarkable career has included him in performances on nearly every continent.

Over the years, Jusino has performed alongside some of Latin music's most celebrated artists, including Tito Fuente, Celia Cruz, and Johnny Pacheco—names synonymous with the rich traditions of salsa and Latin jazz.

Formed in 2010, Grupo Sabrosura is made up of talented local Latin musicians who share a passion for authentic Latin music and live performance. The band performs three to four times each month at festivals, community events, cultural celebrations, private parties, and anywhere people appreciate outstanding live Latin music.

July 20th marked Colombian Independence Day, and many members of the crowd proudly wore Colombia's yellow, blue, and red colors while enjoying an evening filled with music, dancing, and community spirit. Families gathered along the waterfront, people of all ages danced to the rhythms, and the festive atmosphere perfectly reflected the joy and pride of the celebration.

From everyone here at Island Photo News, we'd like to extend our warmest wishes to our Colombian friends and neighbors: 

¡Feliz Día de la Independencia de Colombia!

Our thanks to José "Juicy" Jusino for taking the time to speak with Island Photo News and for sharing the story behind Grupo Sabrosura. Judging by the smiles on the dance floor, it's easy to see why this talented group continues to bring people together through the universal language of music. 

                                 Story and photographs by Fred Greco-Island Photo News  

Canadian Wildfire Smoke Blankets New York City and Long Island in July 2026

In July 2026, smoke from hundreds of Canadian wildfires traveled thousands of miles south into New York, creating one of the region’s most significant wildfire-smoke events since the historic episode of 2023. The combination of wildfire smoke, extreme heat and stagnant weather produced unusually poor air quality across New York City and Long Island.

July 14–15: Smoke Moves Into the Region

On Tuesday, July 14, New York City officials warned that smoke from wildfires burning in western Ontario, Canada, could reach the region. By Wednesday, July 15, the smoke had begun settling closer to the ground.

New York State expanded its Air Quality Health Advisory to include Long Island, Nassau and Suffolk Counties, as well as the New York City metropolitan area. The advisory warned of elevated levels of fine particulate matter, or PM2.5, from the Canadian fires.

Across Long Island, residents reported hazy skies, an orange-colored sun and the unmistakable smell of smoke. In places such as Westhampton Beach and Baiting Hollow, visibility was noticeably reduced and residents described the atmosphere as eerie.

July 16: The Smoke Reaches Its Worst Levels

Thursday, July 16, became the peak of the event. Smoke covered New York City and Long Island, producing yellow-orange skies and significantly reducing visibility.

In New York City, the regional Air Quality Index reached 289 — "Very Unhealthy" — at 10 p.m. Thursday, according to AirNow data cited by New York City Emergency Management. That was the second-worst wildfire-smoke event in the city's modern record, behind the June 2023 disaster when the AQI reached as high as 465. 

The smoke was particularly noticeable on Long Island. The East Hampton Star described the sky on July 16 as sepia-toned, with smoke covering the Island and multiple PM2.5 air-quality alerts in effect. 

The poor air quality also affected everyday life. Day camps moved activities indoors, outdoor workers shortened shifts, and residents were encouraged to limit strenuous activity outside. 

The problem was made worse by a heat wave. Temperatures were in the 90s, while the heat and atmospheric conditions helped keep pollutants close to the ground. New York City distributed free KN95 masks and kept cooling centers open. 

 July 17: Conditions Begin to Improve

On Friday, July 17, the smoke remained a problem across Long Island and the New York metropolitan area. Long Island again experienced unhealthy air-quality readings, prompting another health advisory. 

In New York City, air-quality readings improved to approximately 120, or Unhealthy for Sensitive Groups, by Friday afternoon. However, conditions temporarily worsened again Saturday morning, July 18, when readings reached 186 — Unhealthy. 

July 19: The Emergency Response Ends

Rain and changing weather conditions finally helped clear much of the smoke. By Sunday, July 19, New York City's air quality had returned to the Moderate category, with an AQI of approximately 78 that morning.

That day, NYC Emergency Management officially concluded its citywide wildfire-smoke response, calling the episode the second-most severe smoke event in the city's modern record. 

A July That Turned the Sky Orange

For New Yorkers and Long Islanders, the July 2026 wildfire episode was a vivid reminder that wildfires thousands of miles away can have an immediate impact on life here. From July 14 through July 19, smoke from Canadian fires transformed familiar blue summer skies into a hazy yellow-orange landscape, affected outdoor activities and created potentially dangerous breathing conditions.

For photographers, the event also produced some extraordinary and unusual images of New York City, Long Island beaches, the Atlantic Ocean and the setting sun, with landmarks appearing through layers of smoke and haze.

 

Spain Reigns Supreme as New York Glows in the Colors of a World Champion

The 2026 FIFA World Cup came to a dramatic conclusion Sunday night as Spain completed a remarkable journey through international soccer's greatest tournament, defeating defending champion Argentina 1–0 in an unforgettable final at MetLife Stadium in East Rutherford, New Jersey.

After weeks of competition that brought the world's best teams—and millions of passionate fans—to stadiums across North America, it all came down to two of international soccer's greatest powers. Spain entered the final looking to reclaim the glory it first experienced as World Cup champion in 2010, while Argentina arrived hoping to successfully defend the title it captured four years earlier.

For 90 minutes, neither side could find the breakthrough. The championship remained scoreless and moved into extra time, where substitute Ferran Torres finally delivered the decisive moment, scoring the goal that gave Spain a 1–0 victory and its second World Cup championship.

It was a fitting conclusion to a tournament in which Spain once again demonstrated the skill, patience and composure that have long defined the country's style of play. From the opening stages of the competition through the pressure of the knockout rounds, Spain continued its march forward until only Argentina—the reigning world champion—stood between La Roja and soccer's ultimate prize.

And on a summer night just outside New York City, Spain finished the job.

The celebration quickly extended far beyond the stadium. Across New York City, Spanish supporters gathered to celebrate, while some of the city's most recognizable landmarks illuminated the night in the red and gold colors of Spain—a fitting tribute to the newly crowned champions of the world.

From Madrid to Manhattan, the colors of Spain shone brightly.

For Argentina, it was the end of a valiant effort to defend its crown. For Spain, it was the culmination of a journey that began with the dream shared by every nation entering the World Cup and ended with its players lifting the most coveted trophy in international soccer.

Photo and Editorial by Fred Greco, Island Photo News

 

   America 250 Takes Flight Over New York

Historic Military Flyover and FourLeaf Air Show Combine for an Unforgettable          Independence Day Celebration

By Island Photo News

New Yorkers witnessed one of the most spectacular Independence Day celebrations in recent memory as the nation's 250th anniversary was marked by an extraordinary combination of military aviation, international participation, maritime history, and world-class aerobatics.

The celebration began on July 4 with a breathtaking military flyover that traced one of the most recognizable skylines in the world. Beginning over the Verrazzano-Narrows Bridge, dozens of military aircraft roared northward past the Statue of Liberty and One World Trade Center before continuing up the Hudson River, creating a patriotic display that thousands lined the waterfront to witness.

Leading the formation were the world-renowned U.S. Navy Blue Angels, followed by an impressive collection of military aircraft representing the United States and allied nations. 

Among the international participants were the Royal Air Force Red Arrows from the United Kingdom, the Canadian Forces Snowbirds, and the United Arab Emirates' Al Fursan demonstration team, making this one of the most internationally diverse military flyovers ever seen over New York Harbor.   

    Adding to the historic atmosphere, a magnificent fleet of 48 Tall Ships representing 20 nations sailed proudly through New York Harbor and up the Hudson River. The sight of these majestic sailing vessels beneath modern military aircraft created a striking visual tribute to both America's maritime heritage and its modern military strength.

                 FourLeaf Air Show Returns to Jones Beach

The celebration continued on Long Island as the FourLeaf Air Show at Jones Beach State Park thrilled hundreds of thousands of spectators during a special Independence Day weekend  schedule. Traditionally held during Memorial Day weekend, this year's event was moved to the July 4 holiday to coincide with the nationwide America 250 celebration.

Although the official practice show was held on Friday, July 3, many beachgoers received an unexpected bonus as several performers conducted additional practice flights on Thursday, July 2, treating visitors to surprise demonstrations over the Atlantic.

The event followed a four-day schedule:

• Friday – Practice Show
• Saturday Evening – Fireworks Spectacular
• Sunday – Air Show
• Monday – Scheduled Air Show (cancelled because of weather)

Despite rain forcing the cancellation of Monday's performances, attendance figures reflected the tremendous popularity of this year's event.

• 122,000 attended Friday's practice show.
• 192,000 enjoyed Saturday night's fireworks.
• 268,000 attended Sunday's air show.

Combined attendance exceeded half a million visitors, making the event one of the largest public gatherings of the holiday weekend.

                                              Photo © Fred Greco / Island Photo News

                                A Tradition of Excellence

The Jones Beach Air Show has become one of the premier aviation events in the United States thanks to the efforts of many dedicated organizations.

Public relations and media operations have been managed since the event's inception in 2004 by Epoch 5 Public Relations, one of Long Island's premier public relations firms. The air show itself was originally launched by the New York State Office of Parks, Recreation and Historic Preservation to celebrate the 75th anniversary of Jones Beach State Park.

Known for many years as the Bethpage Air Show, the event is now presented as the FourLeaf Air Show following the title sponsorship of FourLeaf Federal Credit Union, while continuing its successful partnership with New York State Parks.

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                                     World-Class Aviation

This year's lineup featured an outstanding collection of military and civilian performers from around the globe.

Crowd favorite demonstrations included the precision flying of the U.S. Navy Blue Angels, the Royal Air Force Red Arrows, the Canadian Forces Snowbirds, and the United Arab Emirates' Al Fursan demonstration team. Throughout the performances, brilliant streams of red, white, and blue smoke painted the skies above Jones Beach, adding to the patriotic atmosphere.

                                          Photos © Fred Greco / Island Photo News

Together, these performers delivered a nearly nonstop display of speed, precision, and aerial artistry that kept the crowd captivated throughout the day. Joining the military teams were numerous civilian performers whose precision flying and daring aerobatics showcased the remarkable skill of today's professional aviators. Spectators enjoyed performances from Sean D. Tucker, John Klatt's Screamin' Sasquatch Jet Waco, the Misty Blues All-Women Skydiving Team, Matt Chapman, the American Airpower Museum's historic warbirds, and the iconic B-17 Yankee Lady, among many others.

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                                       Looking Ahead

Following this year's special Independence Day celebration, the FourLeaf Air Show will return to its traditional Memorial Day weekend schedule in 2027. Preliminary plans call for performances on May 29 and May 30, once again bringing the sights and sounds of military and civilian aviation back to the shores of Jones Beach.

For photographers, aviation enthusiasts, veterans, and families alike, the 2026 America 250 celebration offered a memorable reminder of our nation's history, the professionalism of today's armed forces, and the enduring spirit that continues to unite Americans beneath the red, white, and blue skies.

By Fred Greco
Editor / Photojournalist

 

The Unsung Heroes of the Blue Angels: Meet the Support Crew

The Unsung Heroes of the Blue Angels: Meet the Support Crew

Photos and article by Joe Pellicone

When the U.S. Navy Blue Angels roar across the sky in perfect diamond formations, all eyes are on the pilots. But behind the six roaring F/A-18 Super Hornets is a dedicated, highly trained team working tirelessly on the ground. Known as the support crew or maintainers, this group of roughly 100 enlisted Sailors and Marines is the true backbone of the squadron.

Without their precision, the jets would never leave the runway.

Hand-Picked from the Fleet

Members of the Blue Angels support crew are not randomly assigned. They are hand-picked from active-duty Navy and Marine Corps units worldwide. Every applicant undergoes a rigorous screening process that evaluates their technical expertise, military bearing, and ability to work under extreme pressure. Those selected serve a prestigious two- to three-year tour with the team before returning to the fleet.

A Culture of Zero Mistakes

In a world where pilots fly just inches apart at 700 miles per hour, mechanical failure is not an option. The maintenance crew operates under a culture of absolute perfection. They are divided into highly specialized teams:

• Jet Mechanics (ADs) and Airframe Technicians (AMs): They service the massive engines, hydraulic systems, and flight controls.
• Aviation Electricians (AEs) and Avionics Technicians (ATs): They maintain the complex radar, navigation, and communication systems.
• Amechs / Safety Equipment Experts (PRs & AMEs): They manage life support systems, ensuring that pilot helmets, G-suits, and ejection seats function flawlessly.

Their dedication pays off: the Blue Angels have never canceled a show due to a maintenance issue. If a jet has a problem, the crew works through the night to fix it or prepare the "Number 7" spare aircraft.

Precision on the Ground

The support crew's job isn't hidden away in a hangar. During airshows, the maintenance team performs the "ground show." Dressed in iconic blue and gold jumpsuits, they move in highly choreographed, synchronized sequences to launch and recover the jets. This sharp, disciplined drill reflects the same precision the pilots display in the air.

While the pilots take the bows, they are the first to credit the men and women on the ground. The Blue Angels support crew embodies the Navy's core values of honor, courage, and commitment, proving that it takes an entire village of elite professionals to touch the sky.

Would you like to explore how "Fat Albert" (the C-130 transport plane) carries this crew and their gear, or should we look into the intense training schedule they undergo before the show season starts?